Town should be proud of having such a fantastic Orchestra
The Capitol Horsham, 21 November 2009
Violinist Madeleine Easton
Conductor Steve Dummer
Four years ago I was writing a paean of praise to the musicians of Horsham for transforming several bleak November evenings into memorable, sell-out performances. Then it was Jesus Christ Superstar from HAODS and a wonderfully colourful programme – Sibelius, Rodrigo and Elgar - from the HSO.
This November we have had a superb run of Fiddler on the Roof from HAODS, followed by a stunning evening of Beethoven and Shostakovich from the HSO under their charismatic conductor, Steve Dummer.
And again, the Capitol was sold out! What an amazing achievement and how incredibly lucky we are in Horsham to have such wonderful and dedicated groups of musicians.
The programme began with Beethoven’s sublime violin concerto, played with beautiful line and lyrical charm by Madeleine Easton, who is – amongst other things – concertmaster of the renowned Hanover Band. Her understanding of the work was apparent from the start: not for her the “me versus them” attitude of some violin virtuosi, but a dialogue throughout, with a particularly lovely second movement leading to a splendidly exuberant Rondo. Steve Dummer accompanied throughout with a relaxed but watchful baton, never losing contact with his soloist.
Then came the Shostakovich! Many years ago, Charles Hazelwood – who succeeded Malcolm McKelvey as conductor of the HSO - assured reviewer Peter Buchan that he could see the orchestra improving enough to tackle Sibelius. Well they have tackled Sibelius several times since then, but Shostakovich? His massive tenth symphony? I only wish Charles Hazelwood could have been there to enjoy their triumph.
Although possibly “enjoy” is not the right word when faced with such a dark, difficult and desolate work, as Steve Dummer put it so eloquently as he talked us through the political setting and the programmatic content. It was certainly enthralling, and the players did a magnificent job of propelling us through the bleak wasteland of repression, the sudden glimpses of frenetic gaiety, the despair, the brutality and ultimately hope for a better future.
The amazingly co-ordinated fury of the second movement, the “circus crossed with a firing squad” burlesque in the third, some most effective horn and woodwind solos plus terrific strings, brass and percussion – well, all I can say is that Horsham should justly be extremely proud of its symphony orchestra!
Jane Thomas
Reviews for previous concerts